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How do priceless pieces of art move from museum to museum?

With the Picasso exhibit leaving Seattle this coming week, I was just wondering how those priceless pieces of art are moved from place to place... In a Brinks truck? In an Air Force One type jet? Do SAM employees move them? Or are there highly trained ninjas that transport them with their meditative stares?

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  • Cateyes_small
    Reputation: 2173

    There are highly-insured companies who specialize in moving art and installing it.

    I know this is the company that many area museums use: http://www.artechseattle.com/

    In the event of moving very valuable art (such as the Picasso show), usually a curator or two will accompany the art on its journey, and then stay in the city where the exhibition is up for the duration of the exhibition. I know that when SAM had the Roman statuary show from the Louvre a few years back, that two or three curators accompanied the show AND the contract with SAM required that there be a guard with the pieces 24 hours a day. I would not be surprised if this were the case with the Picasso show, as well.

    As for moving the objects themselves, basically it's the same as packing and moving anything: you wrap it really well with protective material, put it in a large box or crate (sometime custom-built), and then you move it very carefully with a very well-trained staff of movers. I remember several years ago I poked my head into a few galleries that were being renovated at the Tate Modern; there were priceless (and very famous) paintings wrapped in bubble wrap, just leaning against the walls. In particular, I remember seeing the famous John Williams Waterhouse painting of the Lady of Shallot wrapped in plastic. It was a little surreal, like seeing someone famous in their pajamas.

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  • Davidclose2_small
    Reputation: 366

    Have you seen the documentary Rape of Europa? There's a very striking image of the Winged Victory of Samothrace in the Louvre being very, very slowly edged down a ramp so they could wrap her up and store her somewhere safely from possible bombings or looting.

    The extra caution came from the fact that apparently the statue has been reconstructed from hundreds of pieces, and would actually shatter if it struck the ground.

    Granted, this was during WWII, but the basic principles were the same: Wrap in a lot of padding, store in a crate.

    I also heard an amusing story of a curator who once accompanied the Mona Lisa in a sealed security van. At the end of his journey, he had nearly passed out from the lack of air inside. Of course, I can't remember where I heard this, so caveat lector.

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