Lynn is absolutely the model. But still she is stepping onto an elevator (financially)... to elsewhere. There needs to be a culture change around funding films: there are what, 50,000 millionaires here? Where is the money for local film? Unfortunately noblesse oblige seems to be strictly an East coast phenomenon. Honest to God I don't know how to make it happen. Megan Griffiths scrapes for years to get The Off Hours off the ground, Linas Phillips has to move away, Dan Gildark makes a feature with theatrical distro and can't pull together money for a much smaller second one - WTF? The people that fund opera and ballet and SAM are complete strangers to local film. The party needs to get much bigger (SIFF needs to be more FUN). And Seattle needs to stop looking to NY and LA for validation, because until it does, that will be exclusively where the money is and the brain drain will continue.